New music project - 5 or 6 commissions annually until 2024
We are totally excited to be announcing our first group of composers to be commissioned by us to write music for Animo ready for concerts and recordings in 2020!
Our call for a Launch Composer was shared among Music Colleges and was posted on Composition Today resulting in over 35 composers contacting us to ask us to commission them.
We decided to commission 5 or 6 composers annually until 2024 and so we are creating the future of Animo with exclusive rights to each composition for the first 1.5 - 2 years. Our dream is to build a fabulous library of new repertoire which represents us and our ethos and gives us a chance to take this experience and share it with our audiences but also Schools, Colleges and Universities.
2020's 'new music project' Animo's composers are:
Edmund’s music embraces a huge range of styles from contemporary classical to songs for shows. He writes music for film and television, but is also an award winning concert composer (Prizes). His music is published, performed and broadcast all over the world.
He has been writing music to picture for over fifteen years, both in the UK and internationally. Many of his projects have been nominated for or won numerous awards, including BAFTAs. Major series he has composed music for include ‘Who do you think you are?’ (BBC1), ‘The Great War: The People’s Story’ (ITV1), ‘Homestead Rescue’ (Discovery) ‘My Kitchen Rules’ (Sky) ‘Long Lost Family’ (ITV1) and ‘Unreported World’ (C4). He was nominated for an RTS Craft and Design Award for his score to BBC 1’s ‘Elizabeth at 90’.
More recently, Edmund has been working on a documentary about Tudor Christmas (due to be shown on BBC 2, 20th Dec), finished writing the score for two series of Unreported World and a cookery series coming out in February, writing music for a further two documentaries, composing a full album of Music Library and proofreading a new publication of clarinet and piano pieces. Edmund has just started writing our piece and his first request was to ask Sarah is she can produce a sound on the flute that sounds like a puffin (see below!).
Animo are thrilled to have commissioned Edmund to write a piece for us based on the RSPB's list of endangered birds.
February update: Edmund is working on 3 new pieces for us after we changed our mind (sorry Edmund) about the first drafts but what is happening at the moment is simply astonishing! We have three challenging pieces based on the RSPB's Red list of endangered birds. So, pretty soon three birds will fly the nest: the cuckoo, 'sky dancer' (hen harrier) and the lesser spotted woodpecker are all ready to soar. Piano wood trills, flute murmurations and a huge respect for Edmund's skill to transform the ordinary to extraordinary!
July 2020: Edmund has sent us the final scores for the Red Birds suite. Yanna is using castanets for the Woodpecker trills (what fun!) and Sarah is working out the best possible sound the flute can bring to emulating the sound of birds 'murmuration'. We are getting ready to Zoom with Edmund and discuss the pieces further on the 28th July. After that it's full steam ahead to get them to fly on YouTube and for the recording of Animo 2. His music is full of imagery and longing. As we drill into them further, new depths appear. Once the technical aspects of a piece are dealt with, the depths of the composer's soul get revealed. A most wonderful experience! We feel extremely lucky to be working with Edmund and to be part of his legacy. Thank you Edmund!
We performed Edmund's 'The lesser spotted woodpecker' on a recent Livestream 4. We are still discovering the pieces. We will hopefully have more time to play through the whole suite next January before we start recording for ANIMO two. We feel so inspired by Edmund's music! It's an absolute corker of a trilogy and we look forward to performing it next year in one of our full scale online (or live?) concerts. Edmund and Animo have worked very closely to make this composition a reality and we are really grateful to him for persevering through it all to give us such a brilliant set of works. Audiences will be able to catch a glimpse of all birds by mid-February 2021 online.
Lukas Piel (*1989) is a Composer and Sound Designer from Essen, Germany.
Lukas is a multi-instrumentalist and has toured with different bands and ensembles both in his home country and internationally. As a composer he has written music for Film and Video games and this is what attracted us to choose him as one of our five 'new music project' composers for 2020.
Lukas was nominated for the European Soundtrack Cologne Award in 2017 and 2019.
We are excited that he has agreed to write for us based on his Soundtrack expertise. Three examples of his compositions are below:
We are very excited to hear Lukas' second draft of our piece which already sounds astonishingly beautiful and haunting (just what we wanted!). A sneak preview will appear on our blog in late January 2020.
February update: January 2020 has gone so now the sneak preview will be at the end of February! Lukas has very nearly finished the composition and it sounds exactly how we thought it might. We are now on teaser 3 and the real work for him will start as he begins to write out our parts and guide of the background soundscape. Lukas has chosen a clever device of a clock that ticks the main "spine" of a beat throughout the piece. As the piece is for live instrument against a pre-recorded electronic soundscape, we find ourselves once again in our element. As soon as the score arrives we will have a better idea of the challenges ahead.
April update: Lukas has finished his piece! With the exception of the final mix which has to be done in a studio, Lukas has created the most atmospheric, moving and healing piece for us. It is scored for Flute, Piano and Soundtrack (electronic sounds). A preview will be available soon on our Media page under 'Composers audio and video' which we are about to create. The story behind the music is that of Alan Kurdi. Lukas's music is full of emotion and it is clear to see that he was really moved by the toddler's story and what it represented. Thank you Lukas.
'The Journey of Alan Kudri' was the music that had everyone in tears during both performances live and virtual. The track is now available online as a single (since the 5th December 2020). We are so proud of the recording and the fact that it we recorded it during the pandemic. Really grateful that Adam Bertenshaw travelled through the night from Scotland to be with us on a specific date to meet our deadline. The piece will soon be turned into a short film. We are so excited and hoping to be able to complete the film by July 2021. Lukas was our first composer -discovered him on SoundCloud. We hope that this collaboration will become a friendship and a long term collaboration.
Helen Walker is a (soulful) musician, composer, songwriter and record producer. Helen's music can be found on social media and is diverse, intriguing, beguiling and with a fine blend of jazz, folk and fun! We were very grateful that she and her husband (also a fine musician) came to our launch. It was a meeting of minds and hearts.
We hope that working with Helen, Animo will develop a new sound out of this collaboration.
When Helen first approached us she said:
Having listened to your music on your website I feel I may be of interest to you because I tend to write eclectic and melodic music with jazz influenced harmonies. I’d be happy to "shape the piece to your strengths” and have it evolve through your input.
We are very excited at the prospect of working with Helen. It was because of her enthusiasm that we started the 'new music project' and we are proud to be working with her.
Two examples of Helen's music:
'Gather Here’ was winner of the Alwinton Summer Concerts 2016 National Composers' Competition. Premiered by Kathryn Tickell & The Side and subsequently added to their setlist.
'Divertissement No.3 for Guitar’ was playlisted on BBC Radio 3 as part of the ‘Hear Her Season’ June 2018. https://www.youtube.com/watch?v=OVOk9ObO2L0
February update: Helen has completed her composition which is in five parts. Short movements but full of vibrancy and emotion they are written for Alto and Piccolo flutes. Helen and Sarah spent some time discussing the different tone of each flute and range and how the compositions can sound best. It's the most interesting part of commissioning compositions: performers and composers come from different places and yet they somehow have to meet and at times yield to the other's ideas or wishes but always respect each other's opinion. Our collaboration with Helen was different again. Helen prefers to work separately and so her ideas poured out of her and into 5 finished pieces. Then discussions followed and many questions. We expect that there will be a few adjustments before the work gets its first outing and even after that. We hope to perform some of her pieces during the 1st Birthday celebrations at the Take4 Gallery on 4th April. It feels so rewarding to have Helen's voice in our portfolio! Recorded segments of her new work together with score excerpts will be on our Blog shortly. The final work will be performed at Hellens Manor on August 2nd 2020.
April update: Sadly, our Hellens Manor concert is postponed so we will have to wait a little while longer before the premiere.
Helen finished our works quickly and her style is wholesome and to the point. We can't wait to share her music with you. We are also looking forward to a session with her once Sarah and I have had a chance to work on the pieces. With the lockdown in place, it's hard to see how this might happen but we will keep trying!
We performed the piccolo pieces during Livestream 4 and even with Sarah's piccolo malfunction, the pieces came through strong and clear. We are looking forward to recording the entire set on YouTube and follow that with virtual or live concerts starting February 2021. Helen's beautiful themes are beautiful and fun to play!
Tara Guram is another wonderful composer that we are looking forward to working with.
Initially a geneticist, Tara was subsequently a prize-winning postgraduate student at the Royal College of Music, where she studied with Edwin Roxburgh. Her music has been played throughout Britain, broadcast on BBC Radio 3, recorded with Sargasso records, and also performed in Mexico, Germany, Switzerland, France and Jordan. Previous commissions have included pieces for the Brighton Festival, the International Harp Festival, and the Sound and Image Festival in Bonn. She has won several composition prizes including the U.K. and Eire Composition Platform 2002 Audience Prize, and was a finalist for the Young Composer’s Award in 2000. Tara also works as an upper strings teacher and ensemble director for Hertfordshire Music Service.
We are so excited after our first official Skype with Tara! The ideas came rushing in after our initial rendition of her draft idea. In her own words: "the plan would be to start from nothing, build up with this idea to an anguished climax of utter grief, and then back to nothing. I do try to be cheerful!!" Well, we absolutely love the anguish and the ideas of how Sarah's sound can start from nothing, how the piano can incorporate the middle pedal (don't get those chances very often!) and how we can build this together. Wouldn't it be nice if this piece keeps evolving?
21st February update: Tara and Animo met at Eden's Hill Studio and created new concepts, ideas from which new ideas will be born. Our Blog tells the full story. Tara's themes are about endless grief, sadness, inevitability and yet, somehow, about hope. Thank you Tara. You are an incredible person and we loved working with you!
Photo and Video from this February meet:
July 2020: We just had the pleasure of working with Tara remotely, on Zoom. Is it possible that each time we find new ways of communicating through experimentation and by accident and adventure? Our sessions are filled with an absolute love of music (her music in this case), a passion for sorrowful textures and sounds and the ultimate respect for one another. This is a true collaboration between performers and composer. We are so lucky to have this opportunity to work on details and ideas together.
Sarah and Tara had a chance to talk multiphonics and change quite a few sounds and layers as a result, I got the chance to "smash" the piano during the climax section and we all took time to think and come up with alternative ideas under Tara's guiding force (emphasis on 'force'). We love working with Tara and we think the world of her. All artists are anxious beings and we never take our talent and skills for granted, frequently minimising our worth. With Tara we have a chance to grow' and enjoy 'being wrong'! Her, as yet untitled, piece comes from a very deep emotional place and we think it will touch many people for different reasons. Wow! What an experience!
Yiannis Maramathas is a Greek composer who approached us as a response to an ad on Composition Today. We were immediately taken by his heartfelt, effortless, some times playful and elegant approach to composition. Animo have a lot to learn from Yiannis and we hope that together we will learn more about ourselves and stretch our skills and musicality.
Yiannis wrote a short bio for our website:
Yiannis Maramathas was born in Athens where he started his music studies at the age of nineteen alongside his studies at the National Technical University of Athens (NTUA). In 2016 he graduated from the Department of Naval Architecture & Marine Engineering of the NTUA and he was enrolled at the master’s degree program of the Department of Musical Studies of the Ionian University, “Composition for Film, Theatre and Performing Arts” where he graduated in 2017. In the period between 2016 till 2018 he took composition lessons with Cornelius Selamsis. In September of 2018 he was enrolled at the Masters in Composition program of the Royal College of Music in London where he is currently studying with Dr. Jonathan Cole. Works of his have been performed at the Athens Concert Hall (Megaron), at the Theocharakis Foundation for the Fine arts & Music and the Recital Hall of the Royal College of Music. He has worked with, among others, the Ionian Festival Ensemble and the Hellenic Group of Contemporary Music. He has composed music for theatre, dance performance and video art.
Some examples of Yiannis' works can be found on soundcloud:
and on YouTube:
'The Leaf of the Poplar'; entry for the 2017 Athens Concert Hall International Film Music Competition. Composition/Sound Design by Yiannis Maramathas https://youtu.be/fJyM1E5SWWM
After the initial workshop Yiannis and Animo decided that it would be best to leave the composition for next year as the pandemic has made things really tough for Yiannis and hasn't helped us with timing the composition to be ready for performance or recording.
Yiannis will be one of two male composers for 2021. The other two are female - we are in the process of selecting.
Joseph Howard was our Launch Composer. We premiered his piece on the 24th October 2019.
There are several blogs that Yanna wrote about him and his Animo commissioned piece, 'Ex Arcadia'.
Having worked with him we feel extremely lucky that we had the chance to play a piece so beautifully crafted. Joe is an up and coming composer and we will hear a lot from him in the next few years.
Thank you for a brilliant first commission Joe!
Below videos from the journey to premiering 'Ex Arcadia' at our launch in October 2019.